“Bear” is a fitting name for the beast that is Blackmagic Design’s Ursa Mini Pro 4.6K G2, the company’s flagship cinema camera. The status display shows record timecode, locked timecode, and reference timecode along with the current shooting frame rate, shutter angle, aperture, white balance, ISO, and iris. I’ve never been so dumbfounded by how easy a camera makes professional-caliber shots. I edited and colored the clips in Blackmagic DaVinci Resolve 16 on my eight-year-old iMac and, well, it worked. One complaint? You get a high resolution 1920 x 1080 color OLED display matched with precision glass optics, adjustable diopter and built in digital focus chart so you get perfect focus every time. I also appreciated how the camera records audio in HFR mode, something many lesser cameras don’t do. When I tested the first-gen Ursa Mini Pro 4.6K, it was before Blackmagic had released its RAW video format. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. While the viewfinder may not come standard, a touchscreen monitor does, and it’s the most approachable user interface you can get on a camera. The Ursa has plenty of physical buttons and toggle switches for accessing commonly-used functions like ISO, shutter angle/speed, and white balance. The URSA Mini Pro G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. Red has never been in this space, until now. Another welcome pro feature is the built-in ND (neutral density) filter wheel. Sample footage shot on the Ursa Mini Pro G2, Panasonic Lumix S1H review: Still the video champ, How to take great photos with your Pixel 4 or 4 XL, Fujifilm X-T4 vs. Fujifilm X-Pro3: A difference in form and function, The best VSCO filters, from classic film to cinematic, Meet Moment’s iPhone 12 MagSafe cases and photography mounts, DJI Mini 2 gets upgraded with 4K video, OcuSync tech, and stronger motors, Sony looks set to fly into drone market to take on the mighty DJI, Amazon slashes price of Canon EOS Rebel SL3 DSLR Camera for Black Friday. The result is not only a pro-level video camera that puts my aging-but-trusty Fujifilm X-T2 to shame, but the best value in the cinema world, period. Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! This is a RAW video format for the rest of us. I was using standard photographic lenses in the Canon EF mount. But some of the Ursa’s key features — like Blackmagic RAW — are available in the more affordable Pocket Cinema Camera series. ProRes can be recorded to either CFast 2.0 or UHS-II SD cards (SD cards top out at UHD 4K; please check the Blackmagic Design website for updated card compatibility and limitations). Re: URSA Mini Pro G2 Dual Record Tue Apr 23, 2019 4:17 pm If the new UM Pro follows how the Pocket 4K is set up, the USB-C is set to the SD card slot, and switches to USB-C when SD card media is selected. Make no mistake, Blackmagic Design improved an already good camera and any improvement is very much appreciated by me. Like the URSA Mini, the URSA Mini Pro G2 can record high-resolution raw sensor data in Blackmagic RAW format onto CFast 2.0 or SD memory cards at up to 60 fps. Two of each CFast 2.0 and SD slots are available for recording media. The 12G-SDI output handles up to 2160p60 using a single BNC cable and switches to 6G-SDI or HD-SDI depending on the shooting format. Blackmagic made a point to unify its UI across camera models, so if you own a Pocket Cinema Camera, you’ll feel at home with the Ursa. That can make cameras like Canon’s C200, at $6,500 with viewfinder and battery included, more affordable. Not me. Lastly, the URSA Mini Pro does not come with a handgrip so you will have to source your own and might I suggest Kinogrip.com. The 4.6K, 4K, 3K, 2K, and HD recording resolutions can be captured as ProRes files either using the "Film" dynamic range for a flatter image for grading in post-production, or "Video" dynamic range for a finished look right out of the camera. This item: Blackmagic Design URSA Mini Pro 4.6K G2 Camcorder, Memory Card, CFast 2.0, SD, 10.2 cm (4in), LCD… $5,995.00. The G2 refines the formula with small but important improvements to the electronics, without changing what already worked. The Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera features new and improved features from its Mini Pro predecessor, offering exciting new functionality to professional digital filmmakers. The Blackmagic URSA Mini Pro 4.6K G2, the second generation of the URSA camera, was announced in March 2019. Of course, for many of us, $6,000 may as well be $60,000. Footage shot at ISO 3,200 can look grainy, especially if you try to lift the shadows in post, but at no point did I think it looked bad. Raw HD and 4K ProRes material can be recorded onto convenient and relatively inexpensive SD cards compatible with the UHS-II standard. The Blackmagic URSA Mini Pro 4.6K G2 is the new version of the popular URSA Mini Pro. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. We close every Friday evening to Saturday evening for Shabbos. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. Simple in the fact that externally the Blackmagic Design URSA Mini Pro 12K is essentially the same camera as the URSA Mini Pro G1 and G2 4.6K cameras. The default electronic EF lens mount is user-interchangeable and adjustable to ensure proper flange focal distance. When the new URSA Mini Pro 4.6K G2 arrived at the cinema5D office this summer, we were quite curious to see if the lab results would show a difference as Blackmagic Design claims in their official press release that, “the second generation URSA Mini Pro features fully redesigned electronics and a new Super 35mm 4.6K HDR image sensor”. Where other such machines appear terrifying in their complexity, the Ursa is docile. ), For this review, Sigma loaned me its 18-35mm and 50-100mm f/1.8 lenses, a pair of zooms that make a strong case for being the only lenses you need. The email address you entered was an invalid email. First, the addition of external camera controls allows menus to be accessed to change exposure settings, activate slow/fast motion, or engage focus assist or other functions. Importantly, that high ISO comes in handy when shooting HFR footage, which necessitates a faster shutter speed and requires you to compensate by either opening the iris or raising the ISO. Serv. Sizing down the original URSA shape enables the URSA Mini Pro G2 to fit into feature film, indie film, TV, commercial, documentary, and music video workflows with crews of any size. It could shoot Cinema DNG, an open RAW format by Adobe, but I didn’t have the storage space or processing power to handle it. BH #BLURSAMPG2 • MFR #CINEURSAMUPRO46KG2, Upping the electronics and recording capabilities of its Mini Pro predecessor, the. Given the all metal body construction and solidity of the whole thing, that's quite an achievement. The Ursa Mini Pro may still be an aspirational product for people like me, but unlike a Red or an Arri, it’s not a dream. The iris dial is difficult to reach when the monitor is open, a design flaw that Blackmagic might have overlooked because cinematographers using actual cinema lenses will use the iris ring on the lens. The G2 Digital Cinema Camera introduces an updated Super 35 4.6K sensor with 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording … Ships from and sold by Adorama. They can produce big-screen-caliber movies in their dorm rooms, and never know the pain of shooting and editing standard definition footage on MiniDV tapes. Deal. ND filters reduce light and allow you to maintain a slower shutter speed for smooth motion and/or a wider aperture for a shallow depth of field when shooting in bright settings. You can quickly adjust levels using the physical knobs while monitoring the audio using the onscreen audio meters and headphones. Buy. It looks absolutely gorgeous. Includes features such as 3 x ND filters, Blackmagic RAW, USB‑C external disk recording and more! Blackmagic Design already has the solid URSA Mini Pro G2 (Amazon, B&H) in their lineup, and their Pocket Cinema Cameras are massively popular as well. That’s nothing compared to modern still cameras, with ISOs in the hundreds of thousands, but it makes the Ursa usable in indoor locations. The affordable URSA Mini 4K features a fixed EF mount along with dual CFast card recorders. Let’s take a look at this new URSA Mini Pro G2 and all its bells and whistles below. Since two of each slot are available, you can keep recording, regardless of format choice. Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. Well, unless you want to import straight into Final Cut Pro X, which currently does not have a plugin to support .braw files. With selectable levels of compression up to 12:1, .braw clips can be recorded to standard SD cards. The screen's backlight can be turned on when you're shooting in dimly lit locations, and off when you're shooting outdoors and in bright light to increase contrast, making it easy to read under nearly any shooting condition. In practice, I didn’t notice it at all, except in very quick pans where I was purposefully looking for it. In fact, at 12:1 compression, the bitrate is lower than the 400 megabit-per-second non-RAW codecs in cameras like the Panasonic Lumix GH5s and Fujifilm X-T3. Quirky iris control aside, I love this about the Ursa. The Blackmagic URSA Mini Pro G2 is easily one of the best cameras on the market for filmmakers needing the great color, high frame rates, 4K+ resolution and internal raw capture. By contrast, Blackmagic RAW footage is usable right out of the camera. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design 's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. T he best digital camera for multi-functionality on the market, the Blackmagic URSA Mini Pro now has an update – the Blackmagic URSA Mini Pro 4.6K G2. Furthermore, the current filter settings can be displayed as an ND number, stop reduction, or fraction on the LCD. I am envious of today’s film students who might have access to it. It was a solid update from the URSA as well as a great A-cam, B-cam partner with the highly affordable BMPCC 4K as well. (The Ursa’s autofocus capabilities, however, are not good — stick with manual focus. With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini Pro G2 can capture motion pictures that have greater-than 4K resolution with a filmlike 15 stops of dynamic range at a very high 3200 ISO. OLPF URSA Mini Pro 4.6K G1|G2. If you want to use lenses with F (Nikon), PL, or B4 mounts, separately available interchangeable mounts can be purchased. Using the optional shoulder mount with built-in quick release plate, the URSA Mini Pro G2 can go from handheld to shoulder to tripod in a matter of seconds. It also features a battery indicator, card recording status, and audio meters for monitoring levels. Faster processing means sensor read-out time is decreased, helping control the “jello cam” effect of the electronic rolling shutter. © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, 4608 x 2592 with 15 stops of dynamic range at 3200 ISO, 4.6K images at up to 120 frames per second, Windowed 4K DCI at up to 150 frames per second, Windowed 1080 HD at 300 frames per second, Blackmagic RAW images in both film and extended video modes, USB-C expansion port for recording to external drives, Blackmagic Design URSA Mini Pro 4.6K G2 Digital Cinema Camera. All rights reserved. Sure, that’s a chunk of change, but it’s a far cry from the $8,000 required for the cinema versions of those lenses. If raw capture is not necessary for your production, the URSA Mini Pro G2 offers ready-to-edit industry standard Apple ProRes files in many different flavors within the 444 and 422 chroma subsampling variations depending on your workflow. Only 5 left in stock - order soon. Despite its size, the URSA Mini Pro G2 still fits essential controls and I/O for professional workflows. At the heart of the camera is Blackmagic Design's acclaimed Super 35mm 4.6K sensor block, known for its ability to capture cinematic images with subtle gradients and large dynamic range rated at 15 stops. The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh. Both cameras yield some beautifully cinematic footage, and this post takes a look at footage from each. The Ursa Mini Pro G2 is proof we live in an incredible time for photo and video gear. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting. Choose URSA Mini 4K, URSA Mini 4.6K or URSA Mini Pro 4.6K G2. I shot all of my test footage in .braw at 12:1 compression, and it looked gorgeous. Please enable javascript for your best B&H experience. Enter new zip code to refresh estimated delivery time. You can select 0, 2, 4, or 6 stops of density by turning a dial, meaning you never have to fuss with a screw-on lens filters. If you’re worried about editing performance, the Ursa can record proxy files alongside RAW footage, saving you the trouble of having to create proxies during import. The Blackmagic Design URSA Mini Pro 4.6K G2 (EF) is a RAW capable cinema camera and an update to the URSA Mini Pro that adds a refined sensor & USB Type-C port for SSD media. Despite my techno-lust, the Ursa remains out of my league — and yet, not outlandishly beyond my budget. Blackmagic URSA Mini Pro 4.6K G2. From news gathering to film production, the Ursa Mini Pro can be configured to fill a variety of roles. But it’s a well-trained bear. Just announced a few weeks ago, the new Blackmagic URSA Mini Pro 4.6K G2 looks to have already begun making the rounds with select videographers enough to garner some first hands-on footage tests.. Optical Low Pass Filter + IR-cut for Blackmagic URSA Mini Pro 4.6K G1|G2. (A plugin does exist for Adobe Premiere Pro.). Additionally, the internal IR filters have been designed to filter both optical and infrared wavelengths evenly to eliminate IR contamination of the images that can be brought about by standard ND filter. On its own, the URSA Mini Pro G2 includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. (In truth, that’s still quite affordable in the realm of cinema glass.). The G2 weighs in at 5.07lb (2.3kg) for the body, which is only just over that of a Sony FS7, and less than, say, a Sony PXW-500 ENG camcorder. Blackmagic hits a low price by selling you a bare-bones camera. Speed up future orders, see order history, create wish lists, and more. At a fiver under $6,000, I won’t be buying one anytime soon, but it’s a heck of a lot more affordable than similar cinema cameras from other manufacturers. If it’s out of your budget, it’s out of your budget. Take a peek at some of the first high frame rate footage from the URSA Mini Pro 4.6K G2. Even at 12:1 compression, I was amazed by how much detail I could pull out of the shadows. I can’t do that in India. With high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. URSA Mini Pro 4.6K G2, is a professional digital film camera that combines 4.6K resolution with the traditional features and controls broadcast camera. Included with the camera is a DaVinci Resolve USB dongle which contains a license to unlock the full feature set within the software. Well, OK, it takes a little more work than that. I have a small collection of film-era Nikon glass I would have loved to test on the Ursa. The Blackmagic URSA Mini Pro 4.6K G2 When the original Blackmagic URSA Mini Pro was released, we were fans. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. “Bear” is a fitting name for the beast that is Blackmagic Design’s Ursa Mini Pro 4.6K G2, the company’s flagship cinema camera. The URSA Mini Pro 4.6K G2 has the same features you expect out of a professional-level cinema body of a much higher price point. Yet here, with the Ursa, it feels like a bargain. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up … That last one opens the Ursa up to a legacy of photographic lenses going back decades. But once you’ve settled on your favorite, there’s nothing else in the way of living out your directorial dreams. By default, the URSA Mini Pro G2 includes an interchangeable EF mount. In addition to more traditional button-driven menus and the bevy of external controls, the URSA Mini Pro G2 features a fold-out 4" capacitive touchscreen LCD monitor. & Home App. As a result the G2 is actually very mobile to use, with much of the final weight and balance being determined by your lens and battery selection. The Ursa Mini Pro G2 from Blackmagic Design is a compact digital film camera with high performance 4.6K HDR sensor for shooting up to 300 fps. Store #0906712 Elec. But as someone who shoots video on a hybrid mirrorless camera, I can see the value in moving up to the Ursa. Related: ursa mini pro 4.6k g2 ursa mini pro 4.6k ursa mini 4.6k c300 mark ii ursa mini pro g1 arri alexa canon c200 red scarlet w ursa mini 4k ursa mini 4.6 bmpcc 6k … Not responsible for typographical or illustrative errors. That means it's easy to use the camera with existing professional power supplies and batteries. A viewfinder, battery, and handle are all add-ons that can add hundreds or thousands to the price. Not everybody needs RAW video, but as Blackmagic explained it to me, Blackmagic RAW offers the best quality-to-file-size ratio at every level of compression compared to any non-RAW format. High-end workflows that require 4K or 4.6K raw recording and high frame rate shooting will take full advantage of the high-bandwidth CFast 2.0 cards. All other standard return policy conditions apply. The controls are laid out in a logical order that makes them easy to remember so you'll be able to adjust camera settings, apply ND filters, and change frame rates without having to look at the buttons, dive into on-screen menus, or take the camera off your shoulder. The interface is easy to learn if you haven’t used a Blackmagic camera before. The URSA Mini family are powerful and robust cameras that are available in three different models, so you can choose the camera that best suits your needs. It feels like cheating, really. Probably the most impressive update with the G2 is the ability to capture 4.6K footage at 120 fps, 4K DCI at 150 fps, or even 1080p footage at 300 fps which is well suited for fast-action shooting. You have to first decide which record button to press — there are, like, four of them. The G2 introduces a USB-C expansion port so you can record directly to external drives. But it’s a well … Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design 's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. Photographic lenses are much more affordable than their cinema counterparts, but often of no less optical quality. The updated electronics in the Ursa Mini Pro G2 are all about speed. For studio-style shooting, the same shoulder pad is compatible with 15mm LWS rods for mounting lens supports for long lenses, follow focuses, lens drive motors, matte boxes, and more. 4.6K footage can be recorded up to 120 frames per second, while 1080p can hit 300 fps. Digital Trends’ video team even used it on the floor at CES 2020. : Elec. In some ways, it is easier than working with other codecs, like h.264 or even ProRes, which is often recorded using a flat, logarithmic tone curve to preserve dynamic range, and looks like garbage before color correction is applied. Blackmagic URSA Mini Pro 4.6K G2. You’ll still want a fast V90 card to be safe, but you no longer have to be a professional studio or have a huge budget to work with RAW video. Copyright ©2020 Designtechnica Corporation. Using a design inspired by classic broadcast cameras, the URSA Mini Pro G2 features a wide array of tactile physical controls with direct access to the most important camera settings. It is what it is, and you should try to stick to lower ISOs when possible, but I appreciated having that extra stop when I needed it. Blackmagic Design URSA Mini 4.6K G2 EF Mount. The updated electronics push the maximum ISO up a stop to 3,200. For ENG lenses, a 12-pin Hirose connector will power the servo so all lens functionality can be utilized. This is the single greatest reason why I … The status display is a high-visibility black-and-white LCD screen designed to be easily seen even in bright light. It’s also flexible. However it was supplied with an Anton Bauer Cine 90, an… The G2 can now capture Blackmagic RAW footage in film and extended modes which makes it more versatile to meet your production needs. You have until Feb 01, 2021 to return or exchange items bought after Oct 19, 2020. Turn it on, point it at something, press record, and out comes a shot ready for the big screen. The optional Blackmagic URSA Viewfinder is designed to be the perfect match for URSA Mini Pro and URSA Mini cameras. I’m not sure what makes a Red or Arri, the cameras of choice in Hollywood, worth tens of thousands more. Blackmagic Design URSA Mini Pro 4.6K G2 Camcorder, Memory Card, CFast 2.0, SD, 10.2 cm (4in), LCD, Manual Camcorder, Black 4.8 out of 5 stars 7 $6,014.99 Only 1 left in stock - order soon. DaVinci Resolve features advanced, multilayer timeline editing with powerful trimming tools, along with a fully professional suite of creative grading tools. DaVinci Resolve is designed to handle the 12-bit log raw images from URSA Mini Pro G2, so you can take advantage of URSA Mini Pro G2's image quality and wide dynamic range. But the Ursa has a hardware edge, with 15 stops of advertised dynamic range compared to the Canon’s 13, higher frame rates, and a more versatile RAW format. A precision mechanism holds the filters and quickly moves them into place when the ND filter dial is turned. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. Oversampling from 12K gives you the best 8K and 4K images with the … The URSA Mini Pro 4.6K G2 also uses Blackmagic Design Generation 4 Color Science for superior imaging that results in extremely accurate skin tones and lifelike colors that rival those of cameras costing tens of thousands of dollars more. They’re worth about $1,900 together. Blackmagic Design today announced that the new film “Sài Gòn Trong Cơn Mưa (Saigon in the Rain)” was shot on URSA Mini Pro 4.6K G2 using Blackmagic RAW. Think sunglasses for your camera. The ND filters conveniently let you use different combinations of aperture and shutter angle to achieve shallower depth of field, or specific levels of motion blur, in a wider range of situations. Blackmagic Design URSA Mini Shoulder Kit for The USRA Mini, Tripod Quick Lock Release $395.00. In addition to the active Canon EF mount, you can go with PL (the cinema camera standard), B4 for broadcast lenses, or even a passive Nikon F mount. Wildlife Footage The Blackmagic URSA Mini Pro 4.6K G2 is a brand new camera and is still in the preorder stage. URSA Mini Pro G2 Features: 4.6K Super 35 HDR CMOS Sensor; 4.6K up to 120 fps, 300 fps at 1080p The exterior of the camera also gains a monochrome LCD panel which displays essential shooting data at a glance. This allows you to either slow the audio down in post to match the footage (think of the dramatic “Noooooo!” being yelled by a character approaching certain doom) or ramp the footage back up to real-time speed and use it more-or-less like a regular clip, if you need to. And the turnaround time for repairs is long as well. #0907905; Sec. Blackmagicdesign URSA Mini Pro 4.6K Pdf User Manuals. With Blackmagic RAW, customers can choose compression levels up to 12:1 and still get professional-quality images that can be used for feature films, documentaries, and broadcast programming. Since the form factor of the original URSA Mini has been adhered to, the ergonomic benefits have remained as well. $5,995 Optical Low Pass Filter + IR-cut for Blackmagic Pocket Cinema Camera, BM Micro Cinema Camera, BM … Blackmagic Design URSA Mini Pro 4.6K G2 EF-Mo... Overview. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-mount batteries. Most notably, this means new high frame rate (HFR) options for slow motion. The original Ursa Mini Pro 4.6K was Blackmagic’s first camera that felt finished. Upgrade your lifestyleDigital Trends helps readers keep tabs on the fast-paced world of tech with all the latest news, fun product reviews, insightful editorials, and one-of-a-kind sneak peeks.Digital Trends may earn a commission when you buy through links on our site. The G2 introduces an updated Super 35 4.6K sensor featuring 15 stops of dynamic range at 3200 ISO, high frame rate recording up to 300 fps, and additional recording functionality. The URSA Mini G2 features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode in, and reference input. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. I am by no means an expert colorist, or even a proficient DaVinci Resolve user, but coming from the world of still photography — where RAW files have been common for many years — working with RAW video feels familiar. Six grand is a lot of money. That’s awesome. If someone in the US purchased a Blackmagic Design URSA Mini Pro 4.6K G2 from B&H or Amazon, and if it turned out faulty, they can ask for a replacement or full refund. Having an interchangeable lens mount allows the URSA Mini Pro G2 to be used in nearly any kind of workflow including documentary, ENG/EFP, and cinema. The film also used DaVinci Resolve Studio for color correction, which was completed by Saigon based colorist and post production supervisor Bui Cong Anh. Filed Under: Uncategorized. As the second and third seasons’ DP and post supervisor, I chose to shoot the second season with Blackmagic URSA Mini Pro and URSA Mini Pro G2 digital film cameras, pairing them with Angenieux EZ-1 and Angenieux EZ-2 lenses, and equipping them with Blackmagic URSA Viewfinders and Blackmagic URSA Mini Shoulder Kits for ease of use. Shooting Resolutions: 4608 x 2592, 4096 x 2304 (4K 16:9), 4608 x 1920 (4K 2.4:1), 4096 x 2160 (4K DCI), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic),2048 x 1152 (2K 16:9), 2048 x 1080 (2K DCI), 1920 x 1080. However, data-heavy uncompressed raw files aren't always easy to deal with on set so in addition to uncompressed raw recording, the URSA Mini Pro provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility. Deal. These formats can be recorded onto CFast or SD cards, as well as direct to flash disks using the USB-C expansion port. Of course, Cinema lenses have some advantages — mostly, they make you look like a badass — but Blackmagic’s willingness to let you natively mount any old DSLR lens is a huge plus for the indie and student filmmaking crowds. Speaking of which, Blackmagic do not specify a power draw for the camera. Behind the display, two SD card slots beside the CFast 2.0 slots enable more affordable media to be used for less intensive recording formats. The 4.6K/120 footage is recorded from the full width of the sensor and automatically plays back in slow motion (up to 5X when shooting 24p). Blackmagic URSA Mini Pro G2 B&H: https://bhpho.to/2Jn3qwX Amazon: https://amzn.to/2MFE6S8. The XLR connections have 48V of switchable phantom power so you can plug shotgun mics or wireless lavalier mics for capturing more detail. The 4.6K Super 35mm sensor captures 15 stops of … $5,995 What’s more, the Ursa Mini Pro has swappable lens mounts. Blackmagic URSA Mini Pro 4.6K G2. With more than two decades of experience Jay P. Morgan brings to his commercial studio two special qualities: a keen appreciation of the bizarre and a knack for flawlessly executing elaborate shots. Although not new, a key feature of the Ursa — and many dedicated video cameras — is the built-in neutral density filter control. Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Performance was troublesome after adding more than the most basic color adjustment, but the fact it worked at all is impressive. The camera was announced earlier this month, and the first footage was recently released. With the yet to be launched Red Komodo, a 6K Super 35mm beast at a about $6,000 – Red, too, sees the need to drive down prices or perish. Let’s take a quick look at it! Mechanical Filter Wheel with 2 Stop (1/4), 4 Stop (1/16), 6 Stop (1/64) ND Filters. If you know how to use a DSLR, you can figure out the Ursa in minutes. The clear, 2-, 4-, and 6-stop filters have been specifically designed to match the color science of the URSA Mini Pro G2 to maintain consistent image quality with minimal color shift. With separately available accessories like the VCT shoulder pad, side handgrip, broadcast battery plate, and EVF, the camera can be kitted out for comfortable shooting over extended periods. Gen. #0907906. About Morgan. Next time. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. URSA Mini Pro 4.6K G2, a second generation URSA Mini Pro camera featuring fully redesigned electronics and a new Super 35mm 4.6K image sensor with 15 stops of dynamic range that combine to support high frame rate shooting at up to 300 frames per second. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, scopes, audio levels, and focus peaking, as well as add shot metadata with an onscreen keyboard. Upping the electronics and recording capabilities of its Mini Pro predecessor, the Blackmagic Design's URSA Mini Pro 4.6K G2 Digital Cinema Camera brings expanded control set and even more functionality. Learn more > OLPF BMPCC, BMMCC, BMCC 2.5K. Customer support included, find out more about this high-quality professional digital film camera at ProAV. The different cameras share the same LCD screen, the same Cfast 2.0, and SD Card slots. The four-position wheel switches between two, four, and six stops of neutral density, plus a clear filter for no exposure reduction. With the G2, I finally got to experience the power of Blackmagic RAW first hand, and it’s nothing short of revolutionary. View online or download Blackmagicdesign URSA Mini Pro 4.6K Installation And Operation Manual Ships from and sold by SabrePC. Includes features such as 3 x ND filters, Blackmagic RAW, USB‑C external disk recording and more! Blackmagic RAW images are encoded using a custom nonlinear 12-bit space designed to provide the maximum amount of color data and dynamic range. I can at least afford to rent it. Alex Schwindt is a filmmaker and writer with over two decades of ministry experience. There’s no reason not to use it. Hd. After a few years of striking and bizarre designs, Blackmagic landed on a familiar shape that straddles the gap between cinema camera and ENG camcorder. From a technical standpoint, anyway.

blackmagic ursa mini pro g2

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